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You Will Know Us by the Trail Source Tags & Codes

Written By Monday 14 March 2022 Add Comment Edit

2002 studio album by ...And You Volition Know Us by the Trail of Dead

Source Tags & Codes
SourceTags&Cods.jpg
Studio anthology by

...And You Volition Know The states by the Trail of Dead
Released Feb 26, 2002
Genre
  • Alternative rock
  • post-hardcore
  • art stone
Length 45:54 (Usa release)
50:19 (International and LP release)
Characterization Interscope
Producer Mike McCarthy, ...And You Volition Know U.s. by the Trail of Dead
...And You Will Know Us by the Trail of Dead chronology
Relative Means
(2001) 		Source Tags & Codes
(2002) 		The Secret of Elena's Tomb
(2003)

Source Tags & Codes is the third album by American rock band ...And Yous Volition Know Us past the Trail of Expressionless and the first distributed past a major record label. It was released on February 26, 2002 to wide disquisitional acclaim. The album is often cited equally the ring'southward finest work, though the band continues to deny it to this day, claiming that their best anthology "is the 1 they're currently working on".[1]

Music videos were produced for "Some other Morning Stoner" and "Relative Means", which saw airplay on MTV2.

Recording and production [edit]

After releasing 2 albums on indie record imprints, Trail of Dead signed a multi-release deal with Interscope Records and began recording a follow-up to 1999's Madonna with the aforementioned producer, Mike McCarthy.[2] [three] Their major label budget improved recording quality and allowed intricate orchestral pieces, yielding a sound texture unlike previous records.[4] Source Tags & Codes was recorded in Cotati, California and mixed in Nashville, Tennessee on a upkeep of 150,000 dollars.[1]

Music [edit]

The vocal 'Baudelaire' refers to the French poet, Charles Baudelaire, and 'Days of Being Wild' is named after the Hong Kong film of the aforementioned name. "Later on the Laughter" samples the vocal "Anytime (Yous'll Want Me to Want Y'all)". The vocal "Homage" is a homage to Unwound. On the day "Homage" was recorded, producer Mike McCarthey woke Keely up that forenoon past throwing cold water in his face for him to be aggressive enough to record the drum track.

In the song "It Was There That I Saw Y'all": "Keely had intended to conjure upwards the exhilarant thrill of living in Austin Texas in the mid-nineties, before America had gone to shit. The inspiration came from a girl he used to work with that he had a crush on, and several belatedly nights spent in the company of people on drugs" [one]

The title of "Some other Morning Stoner" refers to getting an erection in the morning time or smoking marijuana. The song is inspired by Keely-s human relationship with his ex-girlfriend who was raised Christian. "Information technology recalls a moral dilemma he underwent when he realized that eventually theology would drive them apart more than annihilation else, considering of his strong negative feelings towards religion."[2]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 85/100[5]
Review scores
Source Rating
AllMusic [6]
Blender [vii]
Chicago Sun-Times [8]
Entertainment Weekly A−[9]
The Guardian [x]
Los Angeles Times [xi]
NME viii/10[12]
Pitchfork 10/10[13]
Rolling Stone [xiv]
Uncut [15]

Source Tags & Codes was met with critical acclaim, receiving a score of 85 out of 100 on review aggregate site Metacritic, indicating "universal acclaim".[v] The Austin Relate 's Michael Chamy called Source Tags & Codes "an album that absolutely cannot be ignored",[16] while Billboard 's Annie Zaleski stated that "what makes Source Tags & Codes such an amazing album is how the band teeters on the edge of this implosion but always yanks its songs back from collapse at the very terminal second."[17] Noel Murray of The A.5. Club wrote that the band "plays imaginative alt-rock with intense passion, and Source Tags & Codes lets the pressure build exquisitely."[eighteen] Noting its "angular, Sonic Youth-style guitar and earnest anger", Blender 's Michael Leonard credited the album for being "more engaging than many of [the ring'southward] mail-rock peers",[seven] while Uncut similarly wrote that "compared to so many noisemongers, TOD understand that restraint enables unleashed firepower to be exhilarating and awesome."[15] Matt LeMay of Pitchfork awarded Source Tags & Codes a perfect score and wrote that the album "will take you in, rip you to shreds, piece you lot together, lick your wounds clean, and transport you back into the globe with a concurrent sense of loss and hope,"[13] though Conrad Keely considers this rating to be "preposterous", as "information technology is clearly nowhere close to a perfect album".[i]

Hobey Echlin of The Village Voice wrote that Source Tags & Codes "captures the fuzzy-math sound from besides many gray-area indie bands—and information technology rocks difficult where geezers like Mercury Rev just drift away."[3] Mojo described the album as "non a crossover record, merely invigorating."[xix] Amidst average reviews, Q felt that the ring "has reached a point where the demand for convention outweighs the joy of using guitars as weapons."[20] In The Village Voice, Robert Christgau awarded the album a "dud" rating,[21] indicating "a bad record whose details rarely merit farther thought."[22] While noting that "at that place'due south a fantastic EP in here somewhere", Maddy Costa of The Guardian nevertheless felt that the album "is afire with emotion – it roars and pulses and oozes malaise – just it never inspires".[10]

Kludge included information technology on their listing of best albums of 2002.[23]

By 2005, Source Tags & Codes sales had surpassed 100,000 units.[24]

Legacy [edit]

In 2009, Source Tags & Codes was placed at number 100 in Pitchfork 's list of the top 200 albums of the 2000s.[25]

In a 2011 article, the BBC's Mike Driver calls it "i of the very finest rock albums of recent history," and "a masterpiece of its time, Source Tags & Codes really does deserve to exist held in as high regard as In Rainbows or Funeral, or any other critical triumph of recent history."[26]

Rails listing [edit]

All tracks are written by ...And Y'all Will Know Us by the Trail of Dead.

No. Title Length
ane. "Invocation" (co-written with James Olsen) i:32
2. "It Was There That I Saw Y'all" three:57
3. "Another Morning Stoner" 4:33
four. "Baudelaire" 4:xvi
five. "Homage" three:29
6. "How Nigh How Far" iii:55
7. "Life Is Elsewhere" 0:55
8. "Heart in the Mitt of the Matter" 4:48
nine. "Monsoon" five:53
10. "Days of Beingness Wild" (co-written with James Olsen) three:27
11. "Relative Ways" iv:03
12. "After the Laughter" 1:15
13. "Source Tags & Codes" 6:08
14. "Claret Rites" (bonus track) 1:58

"Invocation", "Life Is Elsewhere" and "Blood Rites" are not included on the Due north American release of the album.

Personnel [edit]

Credits adapted from the album's liner notes.[27]

...And Yous Will Know Usa past the Trail of Expressionless
  • Conrad Keely – lead vocals (on "It Was There That I Saw Y'all", "Another Morning time Stoner", "How Near How Far", "Relative Ways", "Source Tags & Codes" and "Claret Rites"), guitar, string arrangements, art direction, artwork
  • Jason Reece – atomic number 82 vocals (on "Homage", "Heart in the Hand of the Thing" and "Days of Existence Wild"), drums, artwork
  • Neil Busch – lead vocals (on "Baudelaire" and "Monsoon"), bass
  • Kevin Allen - guitar
Additional personnel

References [edit]

  1. ^ a b c "Source Tags & Codes". TrailOfDead.com. Retrieved March iii, 2016.
  2. ^ "Creative person Biography - ...And You Will Know United states of america by the Trail of Dead". Billboard.com . Retrieved 2009-02-23 .
  3. ^ a b Echlin, Hobey (March 5, 2002). "Diminutive Prog". The Village Voice . Retrieved July three, 2013.
  4. ^ "Trail of Dead'south Source Tags & Codes, 02.28.02". Flak Magazine. Feb 28, 2002. Retrieved February 23, 2009.
  5. ^ a b "Reviews for Source Tags & Codes by ...And You Will Know U.s.a. by the Trail of Dead". Metacritic . Retrieved July 3, 2013.
  6. ^ Phares, Heather. "Source Tags & Codes – ...And You Volition Know Us past the Trail of Dead". AllMusic . Retrieved September iv, 2020.
  7. ^ a b Leonard, Michael (Feb–March 2002). "...And You Will Know Us past the Trail of Expressionless: Source Tags & Codes". Blender (5): 110. Archived from the original on Baronial viii, 2004. Retrieved July half-dozen, 2016.
  8. ^ DeRogatis, Jim (March 31, 2002). "And You Volition Know U.s. by the Trail of Dead, 'Source Tags & Codes' (Interscope)". Chicago Sun-Times. Archived from the original on February 12, 2017. Retrieved March iii, 2016.
  9. ^ Hermes, Volition (March 8, 2002). "Source Tags & Codes". Entertainment Weekly. Archived from the original on Apr xiii, 2016. Retrieved July iii, 2013.
  10. ^ a b Costa, Maddy (March ane, 2002). ". . . And You Will Know Us past the Trail of Dead: Source Tags and Codes (Interscope)". The Guardian . Retrieved July three, 2013.
  11. ^ Hochman, Steve (February 24, 2002). "...And You Will Know Us by the Trail of Dead 'Source Tags & Codes' Interscope". Los Angeles Times . Retrieved March 3, 2016.
  12. ^ Segal, Victoria (March 1, 2002). "And You Will Know Us By The Trail Of Dead : Source Tags And Codes". NME. Archived from the original on March 4, 2016. Retrieved July iii, 2013.
  13. ^ a b LeMay, Matt (Feb 28, 2002). "And Yous Will Know Us past the Trail of Dead: Source Tags and Codes". Pitchfork . Retrieved July iii, 2013.
  14. ^ Wolk, Douglas (Feb nineteen, 2002). "And Y'all Will Know Usa By the Trail of Dead: Source Tags & Codes". Rolling Stone. Archived from the original on March 24, 2008. Retrieved July three, 2013.
  15. ^ a b "...And Y'all Will Know Us past the Trail of Dead: Source Tags & Codes". Uncut (59): 111. Apr 2002.
  16. ^ Chamy, Michael (April 12, 2002). "...And Yous Will Know Us past the Trail of Dead: Source Tags & Codes (Interscope)". The Austin Chronicle . Retrieved July 3, 2013.
  17. ^ Zaleski, Annie (February 25, 2002). "...And You Will Know United states of america by the Trail of Dead: Source Tags & Codes". Billboard. Archived from the original on Apr nine, 2002. Retrieved July 3, 2013.
  18. ^ Murray, Noel (March 29, 2002). "...And You lot Will Know U.s. By The Trail Of Dead: Source Tags & Codes". The A.V. Club . Retrieved February 9, 2011.
  19. ^ "...And You Will Know Us by the Trail of Dead: Source Tags & Codes". Mojo: 114. March 2002.
  20. ^ "...And Y'all Will Know United states by the Trail of Expressionless: Source Tags & Codes". Q (187): 104. February 2002.
  21. ^ Christgau, Robert (June ten, 2003). "Consumer Guide: Eating Again". The Village Voice . Retrieved February nine, 2011.
  22. ^ Christgau, Robert. "Key to Icons". RobertChristgau.com. Retrieved January 30, 2014.
  23. ^ "The Best of 2002". Kludge. Archived from the original on July 22, 2004. Retrieved November 25, 2015.
  24. ^ Hilburn, Robert; Hochman, Steve; Heckman, Don; Nichols, Natalie (2005-02-06). "Trail of Dead's new path". The Los Angeles Times. Los Angeles. Retrieved 2019-06-24 .
  25. ^ Pitchfork staff (September 28, 2009). "The Top 200 Albums of the 2000s: 200–151". Pitchfork . Retrieved October 1, 2009.
  26. ^ Commuter, Mike (2011). "…And You Will Know Us by the Trail of Dead Source Tags & Codes Review". BBC Music. London. Retrieved 2019-06-18 .
  27. ^ Source Tags & Codes (CD liner notes). ...And You Volition Know Usa past the Trail of Expressionless. Interscope Records. 2002. 493 248-two. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)

External links [edit]

  • ...And You Will Know Us by the Trail of Dead official website
  • Source Tags & Codes at Metacritic

robinsontworet.blogspot.com

Source: https://en.wikipedia.org/wiki/Source_Tags_%26_Codes

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